DYNAMICS
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IEQ 15

S DB703
Weight: kg
DBX

With an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 15-band channels of 2/3-octave equalization, the iEQ-15 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.

Features:

  • Advanced Feedback Suppression (AFS™)
  • Type V™ Noise Reduction
  • PeakStopPlus™ Limiting
  • 2/3-octave Constant Q frequency bands
  • Switchable boost/cut ranges of ±6 or ±15dB
  • 18 dB per octave 40Hz low-cut filter
  • ±12dB input gain range
  • XLR, TRS and Euroblock Inputs and Outputs
  • Internal Toroidal Transformer
  • Frequency Response of 10Hz to 22kHz
  • Dynamic range of greater than 113dB
  • User Power Up Features
  • Relay Bypass for Power Failure System Protection

166 XS

S DB635
Weight: kg
DBX
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx "Auto" mode
  • Input Connector: 1/4" TRS, female XLR (pin 2 hot)
  • Type: Electronically balanced/unbalanced, RF filtered
  • Impedance: >50kohm balanced, >25kohm unbalanced
  • Maximum Level: >+24dBu, Balanced or Unbalanced
  • Output Connector: 1/4" TRS, female XLR (pin 2 hot)
  • Type: Electronically balanced/unbalanced, RF filtered
  • Impedance: 120ohm balanced, >60ohm unbalanced
  • Sidechain Insert Connector: 1/4" TRS Phone, Normalled: Ring = Output (send); Tip = Input (return)
  • Impedance: Tip = >10kohm (Input), Ring = 2kohm (Output)
  • Maximum Level: >+20dBu (tip/input) >+20dBu (ring/output)
  • Compression Threshold Range: -40dBu to +20dBu
  • Threshold Characteristic: Selectable OverEasy® or hard knee
  • Compression Ratio: Variable; 1:1 to Infinity:1; 60dB Maximum Compression
  • Dimensions: 1.75" x 6.75" x 19" (4.45 cm x 17.15 cm x 48.26 cm )
  • Weight: Net weight: 5.05 lb (2.29 kg)
  • Shipping weight: 7.20 lb (3.27 kg)
  • 1046

    S DB632
    Weight: kg
    DBX
    The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.

    1066

    S DB342
    Weight: kg
    DBX

    After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate.

    Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

    For overall speaker protection, our new PeakStopPlus™ does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy® characteristics make the 1066 ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate.